The voicing on the pedal sits kind of in-between classic analog units, it’s dark without being completely muffled and lacking clarity. I worked very hard fine tuning the taper of knobs so that everything feels right under you fingers. The Feedback control goes from single repeats for slap at minimum to self-oscillation territory at 1-2 o’clock. The Mix control took the longest to get right, at 12 o’clock you’re just shy of a 50/50 split of wet and dry. Using the Oracle in front of a pushed amp works great and doesn’t require the Mix knob to be set all the way down.